Meet Me In The City Meet Me In The City
And see everything's so fine.
theme
fuckyeahfrejabeha:

Freja Beha Erichsen by Hedi Slimane for Saint Laurent Pre-Fall 2013 Campaign
nickdrake:

Each lover’s gaze reflected in a mirror.
Couple D’amoureux Dans un Petit Café, Quartier Italie, circa 1932 by George Brassai
theparisreview:

When F. Scott Fitzgerald’s daughter Scottie died in 1986, instructions were left that two boxes of books owned by her father were to be sent to her great friend, Professor Matthew J. Bruccoli of the English department at the University of South Carolina. Among the books was a volume by Ernest Boyd entitled Portraits: Real and Imaginary. On the front endpaper, Fitzgerald had written “Don’t bother about first stuff. Read definite portraits”—instructions to someone to whom he was intending to lend or give the book.
Thanks to some fine detective work by Bruccoli’s wife Arlyn, we now know who that person is. Noting that the rear endpaper of the book had been torn out, Arlyn observed faint impressions on the preceding page, which suggested someone had written a message in the book before tearing out the page. Applying the familiar method of rubbing the indentations with a soft pencil, she was able to recover the message. It appears above.
From Ernest Hemingway’s A Moveable Feast we also know the circumstances—Fitzgerald had missed the train the two of them were to take to Lyon together to pick up the Fitzgerald’s car and drive it back to Paris. As Hemingway writes: “There was nothing to do but wire Scott from Dijon giving him the address of the hotel where I would wait for him in Lyon … ”
Hemingway writes of reading a book in his hotel room in Lyon while he waits to hear from Fitzgerald. It is the first volume of A Sportman’s Sketches by Turgenev. Who knows whether he ever looked into the Boyd book, except to write in it.
"In the daylight we know
what’s gone is gone,
but at night it’s different.
Nothing gets finished,
not dying, not mourning;
the dead repeat themselves, like clumsy drunks
lurching sideways through the doors
we open them in sleep;
these slurred guests, never entirely welcome,
even those we have loved the most,
especially those we have loved the most,
returning from where we shoved them
away too quickly:
from the ground, from the water,
they clutch at us, they clutch at us,
we won’t let go." — Margaret Atwood, from “Two Dreams, 2” in Eating Fire: Selected Poetry, 1965-1995 (Virago, 1998)  (via
apoetreflects)

(Source: growing-orbits, via fuckyeahexistentialism)

“Pack Light”

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message ‘He is Dead’.
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.

The stars are not wanted now; put out every one,
Pack up the moon and dismantle the sun,
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.

- W.H. Auden

theremina:

Witches’ Sabbat in Paris
from a series of French postcards
girlswillbeboys:

oh good a photo of me